So in this article I want to quickly show you a couple of those techniques and talk you through the principles that I like to keep in mind when I’m manipulating saturation in my images. And as a result, I’ve developed other techniques for manipulating the overall colorfulness of an image when I’m grading.
It’s because I don’t like what this knob does to my images. Is that because I don’t care about the color saturation of my grades? No.
But there’s a knob right within this Primaries tab that I very rarely use, and that’s Saturation. I talk a lot about the untapped power of DaVinci Resolve’s Primaries tab and how we really need to be maxing out its tools before we move on to narrower or more complex adjustments.
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